They were a showbiz
killer app of the
Kennedy years, beneficiaries of both the
folk music boom and a similar one in stand-up comedy, plus they had a clean-cut
suburban look and image, for those who would have preferred four more years of
Ike. There was Tom (on guitar), the actual boss, though he was the goofy, spacy one onstage, and Dick (on upright bass), the stern
straight man. The songs were just a prop for their
comedy routines. They leveraged their
fame into a short-lived
sitcom (see:
magic sitcoms), and later into a
variety show,
The Smothers Brothers Comedy Hour; by the end of the
60s, they had become
pariahs to many in their original
bourgeois and
Middle American audience, and heroes to the
politically disaffected.