heraldry

The knowledge of arms, the emblems used in mediaeval warfare: the shields, banners, helmets, and liveries of the King and his lords and their followers.

From this job of the herald as a marshal and messenger on the battlefield arose the ancillary duties of confirming the genealogy of those entitled to bear arms, and organizing displays, such as parades, tournaments, and coronations, at which arms were prominent.

A narrower field than heraldry is armory, which is specifically the study of the emblems on the arms. Armory is the central part of heraldry. (Note. Only the spelling armory is used in this sense: as opposed to an armoury or armory, a place where arms are stored.)

Warriors have always used emblems, and the shield is a handy place for them: the Greek poets contain a number of descriptions of them. But the coat of arms as a hereditary indication of one's status in society is a development of the Middle Ages. By the 1300s the granting of arms was the prerogative of the King. Heralds kept records of them and advised the King about which were genuine and rightfully borne. (In what follows it should be obvious when I am specifically talking about England: the general principles of Scottish and Continental heraldry are the same.)

The trial of Scrope v. Grosvenor established that no more than one person was entitled to a particular armorial bearing. This was held in the Court of Chivalry, which is a court of law that still exists. Dormant from 1737, it was revived in 1954 when the city of Manchester prosecuted someone who had used the city arms without authority.

It is worth emphasizing that a coat of arms belongs, at one time, to one person. It is not shared as such by a family, and certainly not by a mere surname. All male descendants of an arms-bearer can themselves bear arms. Younger sons are allowed to use the family arms with an additional emblem: these distinguishing emblems are called marks of cadency. People whose name is Jackson are no more allowed to use the 'Jackson' arms than they are allowed to take cars belong to other Jacksons and drive them away. The difference between arms and a car or a gold watch is that arms descend in the family. A Sir William Jackson can bequeath his gold watch to his doctor, but he cannot change who is to inherit his arms. See heir for details of how these can be inherited. Sites or companies claiming to show 'family' arms are completely bogus.

Heralds were organized into a college or guild called the College of Arms by Richard III in 1485. Heralds originally served other lords as well as the king, and tend to have territorial designations: as Richmond Herald of Arms; or from the order of knighthood they look after. A junior herald is called a pursuivant.

The senior heralds have the peculiar title of King of Arms (or King at Arms). I have no idea why. It does not seem to derive from a title along the lines of "king's adviser". The chief of them is Garter King of Arms, whose remit is the Order of the Garter. The other kings of arms are territorial: Norroy in England north of the River Trent, Clarenceux in the south of England, and Ulster King of Arms in Ireland. (Ulster was for all Ireland, but now that only the north is part of Britain, Norroy and Ulster are always combined in the same person.) In Scotland the Lord Lyon King of Arms is the supreme arbiter of arms and chiefship, and the Scottish equivalent of the Court of Chivalry is called the Court of Lord Lyon.

The central article of an armorial bearing is of course the shield. A coat of arms has to have a shield, if nothing else. Often it has all sorts of gubbins, fal-lals, and doodahs all around it: the supporters holding it up, the helmet above it, the crest on top of that, and a few others. The whole thing, with the shield in the middle and its trappings all round it, is called the coat of arms or the achievement. (It is not called a crest.)

Heraldry has a wonderful language all of its own, in which a shield divided horizontally red above blue with a white star on it would be described as: Per fess Gules and Azure a Mullet Argent. This formal description is called blazon.

Coats of arms are often portrayed and displayed as simple shields, but in heraldry they are more properly displayed as a full heraldic achievement. In an achievement, the shield is held upright by two supporters, often human, though sometimes animal. The supporters and the shield stand on a mound, usually shown as being covered in grass, and sometimes with a family motto underneath. Above the shield will be a helmet denoting the noble rank of the bearer of arms, and above that will be a crest, often an animal. The crest will often be on a wreath atop the helmet, from which will flow long, flowing furs, called mantling. This mantling is a stylised representation of furs which were intended to cool the head of a knight in full armour.

Returning to the shield itself, also known as an escutcheon, it should be noted that the symbols shown there are described as charges on a field. These charges often take the form of a basic set of shapes known as the ordinaries. These include shapes such as the chevron, fess, bend, pale, and saltire. Many other charges appear on shields, however. These include animals such as lions or bears, plants such as trees, or indeed any other object you might imagine.

The colours used in heraldry, known as tinctures, all have peculiar names. There are two metals, or and argent, or gold and silver, and normally shown as yellow and white. Furs include ermine and sable (black), and colours include gules (red), azure (blue), and vert (green). The Rule of Tincture states that no colour may be placed on a colour, no metal on a metal, and no fur on a fur, with certain exceptions. It should be noted that colours can be placed side-by-side - the rule is merely that, for example, a red charge cannot be placed on a green field.

Part of the charm of many coats of arms derives from the process of quartering. Where a man marries an heiress who is also entitled to bear arms, their children will have their arms quartered to show both their parents' family devices. As following generations marry, quarterings can become progressively more complicated, although modern heralds tend to prefer simpler arms, while showing as many illustrious forebears as possible.

A further complication when looking at shields is introduced by the process of differencing. This system arose from the need to differentiate between the arms of a second son and those of his father. While the eldest son and heir would inherit his father's arms, his second son would bear an arms differenced by means of a bordure (border), charge, or some other method.

This concludes my brief look at heraldry and the evolution of arms. More detailed study will reap its own rewards, and I especially recommend Gritchka's fine heraldry nodes here on E2.

Sources:
Discovering Heraldry, Jacqueline Fearn, Shire Publications Ltd, 1992
Heraldry in England, Anthony Wagner, Penguin Books, 1953
Observer's Book of Heraldry, Charles Mackinnon of Dunakin, Frederick Warne & Co Ltd, 1980
Encyclopaedia Britannica, Inc, 1994-2000

In Star Ocean: The Second Story, Heraldry is the form of magic used by most wizards. The system revolves around the use of certain designs which have been found to have special effects, known as Crests. The basic Crests were revealed to people who prayed in shrines dedicated to the god of creation, Tria.

When placed upon equipment, Heraldic Crests bestow properties such as causing fire; when tattooed onto a person, Crests' effects can supplement and enhance mental powers -- abilities normally too weak to be of any use can be developed into spells.

Those of the suspiciously elflike Nedian race are masters of Heraldry, not only having knowledge of some of the most powerful Crests possible, but the ability to draw upon the powers that lesser Heraldic patterns attract without getting tattoos.

Her"ald*ry (?), n.

The art or office of a herald; the art, practice, or science of recording genealogies, and blazoning arms or ensigns armorial; also, of marshaling cavalcades, processions, and public ceremonies.

 

© Webster 1913.